T>he Toe-Point: The Lower Digits will be flexed to and froe in modest frequency, in keeping with the Tempo. A dramatic Dance suitable only for Weddings and the Winnings of Wars.
The Trot-Sit: Originating from SCANDALOUS GERMANY, this Dance requires two Partners to walk briskly from one side of the Room to the other, and then Sit Down.
The Newe Wedding Dance: A man of impressive Proportions takes An other man, whose Shape more resembles that of a Woman, in his powerful Arms and Twists her about in Time with the Music, of Preference a jaunting Traditional tapped with Fervor ’pon the Dulcimer, as he raises his Knees, first the right, then the left, then the right, then the left, to his Barrel-Chest, nearly dropping the Male Woman to the grounde, but then catching Her with his Hands, like those of A Bear, and grasping her by the El-bows with unusual Firmness, marches her against Protestation into the nearest Shelter where the Dance may continue for many Hours into the Night.
The JOLLY-TROT: by which Ladies and Gentle-Men, in successive Turns, walk briskly to the Center of a Square, where, surrounded by the Other, they Spin each one two times, then walk briskly back to place in Line, taking great care never to move their HIPS, lest Satan tempt the Revelers with Thoughts infernal.
The Apoplectic Fit: Lately revealed not to be a Dance, but a medical AFFLICTION of the greatest severity.
